Canon EOS 5D Mark IV Full Frame Digital SLR Camera with EF 24-70mm f/4L IS USM Lens Kit with Canon EF 16–35mm f/2.8L III USM Lens
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KD2,179.20 KD5,448.00

Canon EOS 5D Mark IV Full Frame Digital SLR Camera with EF 24-70mm f/4L IS USM Lens Kit with Canon EF 16–35mm f/2.8L III USM Lens

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Adorama
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Serving customers for more than 35 years, Adorama has grown from its flagship NYC stor...

City: Pasadena

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Features
Configuration
16-35mm Lens Bundle
Style
24-70mm
Description
This fits your .
Make sure this fits by entering your model number. 30.4 MP full-frame CMOS sensor for versatile shooting Up to 7.0 frames per second continuous shooting speed High performance L-series ultra-wide-angle zoom lens with constant f/2.8 maximum aperture. All-new optical design for significant improvements in outer and corner sharpness.
Reviews
4.8
Reviews: 20
5 stars
90%
4 stars
0%
3 stars
5%
2 stars
5%
1 star
0%
Teacher/Photog
5
Im a professional event photographer who was long overdue for an upgrade from my 5DM2. Having skipped the 5DM3, this camera is a substantial upgrade for me in every way. The biggest improvement for my photography has been auto focus, ability to shoot at higher ISOs, and dynamic range. My 5DM2 is my backup and I now hate using it due to the poor LCD and lack of touch screen really bother me now. I should also mention that I rented this camera and shot a wedding with it before buying it. With so many places to rent pro gear, its crazy to buy any photo gear before actually using it in the real world. In case you cant tell, I am very pleased with this camera.
mk
5
Much needed upgrade for me. Pictures are crisp and have high dynamic range. Very less higher ISO noise which helps in night and low light conditions. Very fast and continuous focusing .. helped me to take pictures of my little one she kept moving and pictures came sharp. Loved the quick focus changing joystick type button. Loved the two AWB settings one typical canon warmth other one with more white biased. Havent tried dual pixel RAW yet.
Jonathan
5
upgraded from t6i, after a long and disappointing wait for the 6D Mark ii. A huge upgrade, but also over a year of renting gear and trading glass; I finally pulled the trigger and dont regret one bit of it.
Julie Amador
5
I absolutely love this camera. I enjoy shooting landscapes and astrophotography and have been wanting a full frame camera for awhile. I rented this camera for a week before I decided to buy it and fell in love with it. I also have the 7D and the system is very similar.
Natethegreat
5
The Canon 5D Mk IV is just a photo monster! It takes sharp images and its super fast. Its helped me shoot in low light situations for when Im hired for events/clubs. I take it out in the elements when the buddies and I go traveling to take photos of landscapes and nature! The 5D is just spectacular!!
Noah Gallagher
5
I have a MKIII and a 6D are showing signs of age. With over a million clicks between them, it was time for an upgrade. I had planned to hold out for a decent mirrorless offering, but that seems far away, and I’d probably want to wait for another generation while Canon works out the kinks in their existing lineup, so the 3 year old MKIV was an ideal choice. The camera has, thus far, lived up to expectations. It is a huge jump in resolution and dynamic range from the mkiii. The focus points are far more sensitive and reliable, the touch screen is as responsive as an iPhone, and live view subject tracking is outstanding. Is this camera as good as the cheaper Sony offering(s) in terms of dynamic range and features? Definitely not. But I’m pretty sure it could withstand a tumble or two, and I can’t say the same for its competitors. My MKIII is cracked in two places and has been for two years. My 6D has rolled down a cliff a few times, and it was my go-to for landscapes and low-light until I received my MKIV. I’m finding that images shot at ISO as high as 12,800 are clean enough to post online, and images at 6400 are equivalent to those shot at 1600 on the mkiii and 3200 on the 6D. I must also mention the ergonomics of this camera. Canon achieved ergonomic perfection with the 5D and an additional customizable nub on the back brings additional functionality that feels perfectly intuitive and natural. Is its tech on par with its peers? Not at all. But this camera is the most versatile and reliable option for the price. Nota Bene: Beware offers with free accessories and/or priced below $2500. These are gray market, and do not come with warranty or service from Canon. Spend a bit more and avoid trouble in the future.
Randy W. Dietmeyer
5
I upgraded from my 7D Mark II (and will likely get the Mark III when it comes out next year) and love it! The 5D IV seems to be hidden in the shadows of the D850 and Sonys a7rIII but is still a good camera with a good form factor, excellent image quality, and a GREAT lens selection -especially from the likes of Tamron and Sigma.
G. Robinette
5
So far I love this camera. I have been using it for about a month now and taken it out for a few intensive shoots. It has not let me down. The focusing is much improved over the MK III which was my main motivation for getting this. It does have a few features that I have not and probably will never use like the Wifi but I didnt buy it for that. I didnt buy it for video so I cannot evaluate that but I think that if you are going to shoot video, get a video camera like their C 100 and shoot video. It does suck the life out of batteries much quicker than the MK III or MK II so I would suggest getting the battery grip and some spares.
Brittany Cecchetti
5
I had this in my cart for a while before I pulled the trigger. I dont know what I was waiting for. BUY BUY BUY! I am a photographer on the side and have shot MANY sessions with this and the images, compared to my 6D are incredible! My subjects look so realistic and almost 3D, like they are going to jump right out of the picture!
Arun
5
I write this review from the perspective of an advanced photographer who does the occasional video. For three and a half years, I owned and loved the 5D Mark III. The upgrade to the IV was more a personal choice, rather than from being compelled by any major limitation of the III. Ive now grown familiar enough with it to write a review. A 5DIII user or a 7DII user will find the controls very familiar; I was able for the most part to start using it without referring to the manual and all that muscle memory Id built remained useful. As a practical matter, having the controls and even most of the customizations be similar between different Canon bodies is a great convenience if you happen to be using two different cameras during a shoot, particularly one where you dont control when the action happens. The shutter feels softer and quieter, a design carried over from the 5DS/R to reduce vibration. The viewfinder phase detect AF is everything you expect from a camera like this - I had no problems with my 24-70 II, 70-200 II, 135 or 85 1.8 at maximum apertures. After using this camera for seven months, I can say that tracking is improved over the III. The new metering sensor enables face detection and tracking through viewfinder AF. Combined with Zone AF and using a fast prime like the 135L or a zoom like the 70-200 II, it is excellent for candids and for tracking action. The 135L, in particular, is an absolute joy to use for candids. Light, fast, and precise, the effect is one of the camera virtually disappearing, leaving your eye and the unconscious reflex of your finger to capture one precious moment after another. Perhaps the biggest surprise is the touchscreen. I find myself using it more and more in preference to the joystick when navigating the menu. Dual Pixel Autofocus is as as fast as advertised - certainly as fast as viewfinder AF. What I found pleasantly surprising was that I seem to be able to get sharp shots at exposure times well over 1/focal length seconds using this method. You do have to get past the ergonomic considerations of shooting with a heavy camera held at arms length though, and it is probably better used with smaller lenses versus something like a 70-200. In terms of image quality - you will certainly notice the extra resolution. For the times you dont need it or are not able to use it effectively, the camera helpfully offers lower resolution RAW modes. I find the 17 MPix MRAW mode is very useful for run of the mill shooting needs giving something reasonably close to the resolution of a 6D or 5D III, generally preferring to use the full resolution mode only for landscape shots using a tripod or portraits in good lighting. The cameras JPG engine is clearly improved over the 5D III. The fine detail mode is a nice addition. I gave up on shooting JPG with the III due to the soft detail and very aggressive NR even at base ISO. On the IV, you can probably shoot JPG in a fairly broad range of conditions. The dynamic range - which was the main reason I upgraded - is certainly better than the III. The early fall morning shots I took with the camera clearly showed it capturing a greater range of tones than my old III. Shadows are much cleaner - at base ISO, the IV has less than half the read noise of the III. The complete absence of banding or pattern noise makes this an even bigger advantage, and this is easily seen and much appreciated when you work on RAW files. The camera does appear, for the most part, to be ISOless. What I mean by this is that once you know your aperture and shutter speed, you are better off shooting (in RAW) at low ISO and then boosting in post. Ive taken shots at ISO 400 and boosted by 3.2 stops in Lightroom (the equivalent of ISO 3675) and get very clean images. The benefit of this is that you preserve the greater dynamic range available at low ISO versus throwing away the highlights during in camera amplification. One application Ive found this useful for is when shooting in challenging and changing light conditions such as stage events. Ive taken to setting my aperture and shutter speed for DOF and movement and simply shooting at low ISO, with confidence that I will not overexpose highlights, and can easily recover a 3+ stop underamplification of darker regions in post with no noise penalty. This makes me less reliant on metering accuracy gives me more time to focus on composition and timing. I do find this to be a significant advantage versus the Mark III, and one I have come to appreciate very much as I have spent more time with the camera. At high ISOs, it is the upstream read noise of the sensor, as opposed to the noise from A/D conversion that dominates. Scaled for pixel size, the 5D IV has lower upstream read noise than the III. This lower upstream read noise of the 5D IV over the 5D Mark III does seem to translate into better high ISO performance. Overall, for the same viewing sizes, I find myself using less noise reduction at high ISO than I was used to before, and color and detail is well retained even at ISOs like 12,800. This performance suggests that the 5D Mark IV is a good camera for astrophotography, because a lower read noise should translate to better signal to noise ratio across the board, but especially importantly for the low photon flux from deep sky objects. After over a year of astrophotography, I can say that it is a remarkable camera for this purpose, with noise levels and detail captured noticeably superior to that of a 6D that I also tried for a time. The low conversion noise makes it possible to make use of the dynamic range available at low ISOs. I recently shot the Pleiades cluster using ISO 400 - two stops lower than what would be used on an older camera. This enabled me to capture the very faint inner nebulosity at the center of the cluster while not overexposing the main stars. I decided to update the section on video based on eight months of using this camera plus recent announcements by Canon. Much has been said about the 1.74x crop factor and large file sizes for 4K video, so I wont go over that here. What I will say is that I have been able to take better 1080p videos with far less effort using the 5D IV than my old 5D Mark III. Comparing videos taken in similar lighting conditions and the same lens, the IVs videos seem to show better color rendition and highlight detail. I certainly do not mean to suggest that the III is incapable of making excellent videos - there are plenty of great videos taken using that camera that are publicly available, and Magic Lantern firmware allows shooting of RAW 24 fps 1080p video, something currently unavailable on the IV - only that for a relative novice like me, it is a lot easier to do so on the IV. Ive found the autofocus and face tracking in movie mode to work very well; so long as you have a reasonable number of faces (4-5), it has no trouble locking on to a specific face, even from the side, and will easily reacquire focus after a temporary obstruction. What this means is that you can use your fast lenses, particularly those having IS, for grab and go shooting and come away with great videos; you will have no trouble using them wide open. One of the complaints I had when I initially wrote this review was the absence of C-LOG. As of July 2017, this will no longer be the case, since C-LOG will be available as a paid firmware update and is implemented for both 4K and 1080p video. This means that much more of the dynamic range of the sensor will be available for those who dont mind spending time grading and processing their videos. Yes, ideally the firmware update would have been free, but the cost does not seem exorbitant, and quite simply, I would far rather have it than not. Based on my actual experience with using the camera for video, and the recent announcement of C-LOG implementation, there simply is not a reason for me any more to dock a star here. Since I have spent so much time talking about IQ, I want to add an experience that speaks to a different attribute. Recently, I was shooting the Rosette nebula in -4 F weather. After two and a half hours, my phone had shut down from the cold, my remote timer was barely functioning, and I had no sensation in my toes. This camera though did not skip a beat. Functionally, it was as if I was shooting on a sunny spring day. The buttons, the responsiveness, and even the touchscreen behaved exactly as they would in much warmer weather. This toughness is an under rated aspect of a pro grade camera like this. It is built to take with you with confidence wherever you go. A final word about Canons customer service - recently I started seeing a minor sensor issue. This didnt affect normal photographs, but was noticeable in astrophotography which require stretching of shadows. Canon replaced the sensor - a year out of warranty - for nothing more than a $200 evaluation fee. Given the actual full cost of the sensor, I was very appreciative of the courtesy. I will admit to being initially underwhelmed by the 5D Mark IV, initially rating it 4 stars, but that impression has undergone a radical change as I have spent more time using it. The 5D Mark IIIs improvements over its predecessor in the form of autofocus were almost immediately evident upon use; the 5D IVs improvements in the form of tracking, high ISO capability, dynamic range, and video features take time with the camera to manifest themselves, but are no less real and no less meaningful; they make it easier to get better images in tougher conditions than is possible with the 5D Mark III. Quite simply, the more I have pushed this camera, the more it has delivered, and the more it impresses. Even features such as WiFi and the intervalometer, which were non factors in my decision to upgrade, have proven themselves very useful. And while we can debate whether this is an evolutionary or revolutionary upgrade, that debate does not take away from the fact that this is a great camera. Image notes: The Christmas photograph is a 3 stop push, a marked improvement in shadow recovery over the 5D Mark III. The street photograph was taken with a 35LII, and shows the level of detail that a sharp lens can deliver. The third image is a panorama of the Milky Way over the Yosemite valley, each individual image being an untracked 20 second exposure. The fourth image perhaps speaks most to the light gathering power and low read noise of the sensor. It is a photograph of the deep sky region of the Orion constellation showing the flame and horse head nebulae. It was taken with a 400mm f/5.6L, and represents a total of 40 minutes of exposure; however, each individual shot was only 15 seconds long due to tracking limitations. Stacking such short exposures to yield a meaningful image is only possible if the sensor has low read noise such that the low photon signal makes it past the read noise floor in each frame. The last image of the Pleiades was taken at ISO 400, an hours worth of 90s exposures. The increased dynamic range allows capture of the very faint center nebulosity without overexposing the main stars; I find it a remarkable camera in actual use. Additional information: A buy/no-buy decision is yours to make; my goal was to give you enough information based on my experience so you can make an informed decision if this is the right camera for you. Nothing Ive written changes the fact that the 5D III remains a very good camera, and an excellent value for your money especially if you are upgrading from crop frame or a 5D II and are on a budget. If you found this review helpful, please take a moment to indicate "Yes" so below. This assures a more representative rating for the camera and also encourages us to keep contributing.

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